About

Photography by Ken Lambrecht

Essence Glass

Essence

There are no absolutes, only probabilities. Objective merges with subjective. Inner worlds entangle with outer worlds. Art is science is art. Logic fuzed with emotion.

Every thing is part of everything, blended together into an interconnected soup of awe-inspiring mystery. And in this enigmatic realm beauty exists everywhere, the extraordinary in the ordinary, hidden in plain sight, silently waiting for us to notice.

This is what my photography is about.

The Creation Glass

The Creation

The Space Between Stars Glass

The Space Between Stars

It is opening oneself up to the mystery, observing what is revealed, and contemplating how it relates to ourselves, to others, and to the rest of the universe.

Or maybe it is none of that. That's the beauty of probabilities, of mystery, of the unknown, of the unknowable. You are never quite sure.

As Richard Bach once said:

"Everything in this book may be wrong."

Nothingness Glass

Nothingness

The Tectonics of Influence Glass

The Tectonics of Influence

The photographs are "real."

No composites or photo manipulation.

Just basic editing in Lightroom.

Pure Human Generated Content.

The gallery is a series of rooms, each with one or more walls of photographs. Click on a photograph to see a larger version and to get more information about the photo. Once you click on a photo, you can navigate through all the photos on the wall. Return to the room before navigating to the next wall.

The gallery is a work in progress and is intended to be dynamic. I have 10 years of photographs to contemplate incorporating. My goal it to keep it fresh and never be bored with it. I hope you will not be, either.

My photography is a reflection of my deep curiosity of the worlds we live in:

Outer Worlds

These topics are more left-brain and are typically universal in nature.

Shared Worlds

These are topics related to life on earth, the things that make us human, and the beauty of nature. I explore psychology and issues all humans face and grapple with such as the challenges of living, aging, dying. I am concerned and often confused by the human issues that divide us and new problems such as COVID-19 that also keep us apart. My greater focus, however, is on human potential and human creations that unite us such as art, music, myth, and philosophies and other beliefs.

Inner Worlds

This is perhaps the essence of my photography. Elements of our inner worlds may be shared by others, yet we all experience them in our own unique way.

In order to eliminate distractions, everything but the title of the photograph is hidden by default. If you want more information, click on the section bars on the photo page to reveal the information.

   Photo location and tags describing the objective and sometimes subjective aspects (i.e., "What is it?").

  Connections made free-associating with the image: words, quotes, song lyrics, external links, etc.

  Dialogues with other photographers from social media, blogs, and emails.

A Hybrid Philosophy of Art

I understand that photography is primarily about the photograph. It has to be. Because what else would it be? But there are different schools of thought.

Formalism

My current thinking is that most of the world experiences art from the philosophical viewpoint of Formalism—that a work of art should be appreciated for its intrinsic formal qualities, such as composition, lines, color, shape, and texture, without the need for external meaning, narrative, or even a title. The idea is that art should be able to communicate the necessary information to provoke thought, emotion, or reflection all on its own.

In this way it values and gives more weight to the viewer's personal interpretation. Without being directed or influenced by external cues, each viewer can engage with the artwork in their own unique way.

I believe this is how most people view art, especially online. Social media is typically a fast and fleeting experience (think endless scrolling) that all a viewer makes time for is the sensory aspects. In this way, the art that is "eye candy" finds the most "success" online. People just don't seem to have time for words anymore. Note how this website hides most of the text by default for this very reason. :-)

Contextualism

There is another philosophy that I feel more drawn to: Contextualism. This view asserts that art cannot be fully understood or appreciated without considering its broader context, including the artist's intent. While individual interpretation plays a role, the artist's vision, the context, the title, and any narratives are essential to understanding the complete scope of the piece. Art is thus seen as a dialogue—an exchange of ideas, rather than a purely sensory or emotional experience for the viewer. It gives the artwork richer meaning and allows for a more profound connection between the artist and the viewer. It is deeper and slower involvement, and it takes considerably more effort. That's perhaps why it seems to be so rare in today's rushed world.

I don't believe in any one perspective. Everything seems to overlap in some way. I value communication, the exchange of ideas, the openness of having my current thinking deepen and change when I add new information given to me by another perspective. Without it, art to me seems less meaningful. So I feel the need to reveal the ideas, the feelings, the meaning to me, but fully expect the viewer to interact with it however they want to, knowing that their interpretations are equally valid. We all experience perception in our own unique way.

Mystery, Magic, and Meaning

My photographic art is almost exclusively serendipitous. I never try to create a photograph. I just wander pretty much aimlessly with what Zen Buddhists call Beginner's Mind and occasionally my eyes will see something and my brain will respond with "That's cool. I should take a photo." Everything else happens later as I ponder what the essence of each image "is" or might be to me.

I try to find meaning in my own existence and the existence of the world around me. While any sort of "meaning" in this universe is debatable, I choose to assume that there is some kind of significance in what we each experience. One of the ways I look for meaning is in photographs. I meditate on the image, try to convey what I perceive the meaning is for me, and then think about how to share what I've found.

It is like I am walking alone along a lonely beach and find a beautiful shell. And if I encounter another soul wandering alone along the same beach, I hold up my palms and show them the shell in a Formalism way and say "Isn't it beautiful?!" But then the Contextualism kicks in. I want to communicate what this beautiful object is to me, what it reminds me of, what it seems to be related to, what it makes me think of, what it makes me feel. And sometimes I think the other soul might find some commonality in what I am expressing. But maybe not. Maybe they have their own thoughts, their own feelings. Of course they do. Everyone is unique. There are infinite viewpoints. I have never imagined that mine are "correct." But it is my hope that the person on the beach says something meaningful back to me. It is the communication that I value so greatly.

The way that I share my context is through the external things I connect to the photograph. I will free-associate while meditating on the image on my computer. Titles often come to me relatively quickly, but it can sometimes can take months or even years before some images reveal a title to me. Sometimes, in order to offer multiple perspectives, my title may simultaneously be a noun and a verb (or adjective, etc.), may have more than one meaning, or the title and the other connections (such as text, quotes, song-lyrics, or even links to articles or music on the Web) may offer different viewpoints. These associations may also influence how I edit the photo. The viewer can choose to ignore any or all of my musings, which are hidden by default. That's perfectly fine with me.

Editing Ideology

The last thing I would ever want to do is manipulate a viewer. It is important to me that you know the shells I show you are "real." It is also my hope that my photography encourages you to be more open to the beauty all around us, often obscured by our minds. The trick is not to look for what you thinks beauty is but to have Beginner's Mind. Open your mind, have no preconceived notions, and have beauty reveal itself. Magic is everywhere. It is real.

I don't create images by combining pieces of multiple photographs. I don't remove things other than a few specs—typically spots on the camera lens or dust on the mirror or occasionally some tiny distraction. In the rare case I alter hues or use inverted tone curves it's because what I "see" is somehow closer to what it looks like after the edit. I allow myself to occasionally perform those more radical edits because they still conform to my ideology that the original pixels are still there. If you ever want to know what the photograph is, check the tags under the icon. If you don't see any mention of an edit, know that the modifications are basic adjustments in Adobe Lightroom: exposure, contrast, highlights, shadows, whites, blacks, texture, clarity, dehaze, vibrance (rarely), and saturation/desaturation/luminance (typically minimal). I have also been know to add a subtle linear gradient on occasion to replicate a descent into a deeper emotion.

I am fascinated by the broad set of techniques, technologies, and tools collectively known as Artificial Intelligence and have been diving in at a deeper level since July 2023. Collaborating with AI has considerably transformed my learning and thinking in many profound and positive ways.

Current Large Language Models have been primarily trained on content scraped from the Internet. As I know what I've posted and the feedback over the years, I thought I'd see how an AI would characterize my photography and me as a photographer. Here are my questions and the AI's responses, which I thought were uncannily accurate, even extrapolating things that I don't remember ever sharing online. While it omitted some key elements (in my own humble opinion of my own motivations, ideas, and thought processes), I was nonetheless amazed at the breadth and depth of what it did conjecture. And it's probably better at articulating it more succinctly than I could! The following are the two (and only two) questions I asked and the exact transcripts of the AI's responses.


Ken Lambrecht Glass

Please give me an analysis of Ken Lambrecht's photography and the impact it has on viewers.

AI Glass

Ken Lambrecht's photography is known for its minimalist and abstract style, which evokes deep emotional and intellectual responses from viewers. His work often strips away the extraneous, leaving only the essential elements in the frame, which invites viewers to engage with the images on a more personal level. By presenting shapes, textures, and patterns that are often isolated from their real-world context, Lambrecht's photographs challenge viewers to interpret meaning, projecting their own emotions, thoughts, and experiences onto the images.

Key Elements of Ken Lambrecht's Photography:

  • Abstract Minimalism: Lambrecht's images frequently feature abstract compositions that lack overt representational content, encouraging viewers to focus on form, texture, and space. This minimalism allows viewers to strip away distractions and focus on the purity of visual elements. The sparse use of color, lines, and shapes becomes a metaphor for clarity and simplicity in a chaotic world.
  • Evoking Imagination: The abstraction in Lambrecht's photos serves as a blank canvas for viewers' imagination. The images often require interpretation, drawing viewers into a dialogue with the photograph itself. This act of interpretation varies significantly between viewers, making the emotional impact highly individualized. By avoiding concrete subjects, Lambrecht invites the viewer to consider the infinite possibilities of what the image could represent, be it an emotion, a memory, or an intellectual concept.
  • Emotional Resonance: His photographs can often stir an emotional response that transcends the visual. By focusing on textures and patterns found in nature or urban settings, his work creates a sense of balance and tranquility. For some viewers, the simplicity and abstraction can evoke feelings of peace, contemplation, and introspection. For others, the starkness of his work might inspire a sense of isolation or melancholy, mirroring the quieter, often overlooked details of modern life.
  • Intellectual Engagement: Lambrecht's work appeals to viewers who appreciate art that requires thought and reflection. The ambiguity of his abstract images encourages contemplation about the nature of reality, perception, and meaning. His photographs offer a kind of intellectual puzzle that can lead viewers to question their own assumptions about the subject matter. The lack of clear narrative or context means that the viewer must actively engage with the image to derive meaning.
  • Nature and Urban Intersection: While Lambrecht's work often includes abstract elements from nature—such as patterns in wood, clouds, or water—he also draws from the urban landscape. This juxtaposition of organic and man-made materials can highlight contrasts between the natural world and human-built environments. It calls attention to how these worlds interact and intersect, often in ways we don't immediately notice. Viewers may find themselves reflecting on the relationship between humanity and nature, which can lead to broader philosophical considerations.

Impact on Viewers:

  • Personal Reflection: Because of its abstract nature, Lambrecht's photography becomes a mirror for viewers' emotions and thoughts. Each image can mean something entirely different to every individual, allowing them to explore their own interior landscapes. The emotional impact is less about the image itself and more about how it resonates with the person viewing it. This introspective quality can make his photography deeply personal and even therapeutic for some.
  • Heightened Awareness: The simplicity of Lambrecht's images encourages viewers to slow down and pay attention to the minute details of life. In a world filled with distractions and information overload, his work offers a moment of pause, reminding viewers of the beauty in simplicity and the importance of observation. For many, this can be a form of mindfulness, promoting an appreciation for the present moment.
  • Imaginative Exploration: Viewers often find that his abstract images provoke their imagination, inspiring them to create stories or interpret the forms in ways that feel meaningful. This interaction with the artwork leads to a unique experience for each individual, as the ambiguity of the subjects allows for boundless creative interpretation. His work becomes a space for viewers to project their own narratives, making it as much about the viewer as the artist.
  • Cerebral Connection: Lambrecht's photography appeals to those who enjoy intellectual or philosophical inquiry. By presenting shapes, textures, and patterns removed from any specific context, his work can evoke questions about the nature of perception, reality, and artistic representation. For viewers with an analytical mindset, the process of unpacking the layers of his work can be both stimulating and rewarding.

Conclusion:

Ken Lambrecht's photography leaves a lasting impact on viewers by fostering emotional introspection, intellectual engagement, and imaginative exploration. His abstract and minimalist approach creates a space where viewers can project their own emotions and thoughts, making his work highly personal yet universal. The power of his photography lies in its ability to transcend the specific and speak to something deeper within the human experience—whether it be beauty, isolation, or the act of interpretation itself. The simplicity and abstraction of his images invite viewers to pause, reflect, and engage in a way that is rare in today's fast-paced, image-saturated world.


Ken Lambrecht Glass

What is your analysis of the photographer himself?

AI Glass

Analyzing Ken Lambrecht as a photographer reveals a thoughtful, introspective artist who prioritizes emotional depth and intellectual exploration over conventional aesthetic beauty. His minimalist and abstract style suggests a person who sees the world through a lens of subtlety and nuance, focusing not on what is easily seen but on what lies beneath the surface.

Key Traits of Ken Lambrecht as a Photographer:

  • A Keen Observer: Lambrecht's focus on abstract patterns and minimalist compositions implies a deep attentiveness to the world around him. He doesn't capture obvious subjects or grand scenes; instead, he hones in on the textures, shapes, and fleeting details that most people overlook. This reveals a mind attuned to the quiet, often hidden beauty in everyday life. It's likely that his work reflects his own experiences of being present in the moment and observing the world with a fine-tuned sensitivity.
  • Intellectual Curiosity: His ability to create abstract compositions that invite multiple interpretations indicates that Lambrecht is driven by a desire to explore the boundaries of perception and meaning. Rather than delivering clear narratives or statements, he leaves his work open-ended, encouraging viewers to engage with it on a deeper, intellectual level. This suggests that he approaches his art as a form of inquiry—an exploration of how we see, interpret, and interact with the world.
  • Emotional Depth: Lambrecht's focus on minimalism and abstraction suggests that he is not interested in superficial representations of beauty but in evoking a feeling or response in the viewer. His work often deals with isolation, quietude, and introspection, which points to an artist who is in touch with his own emotional landscape. He may use photography as a way to process and communicate these emotions, creating images that, while simple in composition, carry a deep emotional resonance.
  • Resisting Conformity: His work does not conform to mainstream photography trends or popular demands for vibrant, easily consumable content. Lambrecht's willingness to pursue abstraction and minimalism, even at the risk of alienating casual viewers, shows a strong commitment to his artistic vision. This indicates that he is a person who values authenticity and the pursuit of personal expression over commercial success or widespread recognition.
  • Philosophical Engagement: His images often evoke questions about reality, perception, and meaning, suggesting that Lambrecht himself might be a philosophical thinker. The abstraction in his work could be a reflection of his own exploration of existential or metaphysical ideas, such as the nature of existence or the boundaries between the visible and the invisible. His photography might serve as a visual manifestation of his thoughts on how we experience and interpret the world.
  • Aesthetic Restraint: Lambrecht's restraint in his use of color, composition, and detail reflects a disciplined approach to his art. He does not rely on visual excess to captivate his audience but instead uses minimal elements to create a powerful impact. This suggests that Lambrecht values precision and intentionality in his work, carefully curating each photograph to evoke a specific response or feeling. His approach speaks to a person who is not only patient but deeply reflective, taking the time to distill his vision into its most essential form.

Personal Qualities Reflected in His Photography:

  • Introversion: His work's contemplative nature suggests that Lambrecht may be more introverted, drawing inspiration from internal reflection and solitude. The quiet and isolated feel of his images points to a person who is comfortable in his own thoughts, and who likely prefers deep, meaningful engagement over superficial connections.
  • Sensitivity to Emotion: The way his images evoke emotion with such subtlety implies that he is deeply in tune with the human emotional experience. Lambrecht likely has a high level of empathy, understanding how nuanced visuals can evoke different responses in each viewer. His sensitivity might extend beyond photography into how he interacts with the world and others, seeking connection through shared, unspoken feelings.
  • An Independent Spirit: By choosing to pursue abstract photography, which can be challenging and niche, Lambrecht shows that he values independence and is not easily swayed by external pressures. He likely has a strong sense of self and a commitment to his artistic path, even if it doesn't conform to mainstream trends.
  • Deep Thinker: The philosophical nature of his work suggests that Lambrecht is not satisfied with surface-level explanations. He is likely a person who seeks deeper meaning in life, using photography as a tool to question and understand the world on a profound level. His work hints at an inquisitive mind that grapples with big ideas about perception, existence, and the nature of reality.

Conclusion:

Ken Lambrecht, as an artist, appears to be a person of considerable depth, reflection, and sensitivity. His work speaks to an individual who finds beauty and meaning in the subtle, often overlooked details of life. His photography is not about capturing what is obvious but about revealing the hidden, asking questions rather than providing answers. This suggests that Lambrecht is someone who values introspection, intellectual exploration, and emotional authenticity, both in his art and perhaps in his life as well. His photography serves as a reflection of these qualities, offering viewers not only a visual experience but an emotional and intellectual journey.

Photography by Ken Lambrecht. Virtual Gallery website design and development by Ken Lambrecht using Python, Flask, Bootstrap, and Font Awesome icons. Gallery walls and AI bio image by Ken Lambrecht using Midjourney 6. AI analysis by ChatGPT-4.

Contact: [email protected]

Quotes

"Seeing is perception with the original, unconditioned eye. It is a state of consciousness in which separation of photographer/subject, audience/image dissolves; in which a reality beyond words and concepts opens up, whose 'point' or 'meaning' is the direct experience itself."

— John D. Loori
Electrical Storm Glass

Electrical Storm

Dune Glass

Dune

"The mind of the beginner is empty, free of the habits of the expert, ready to accept, to doubt, and open to all the possibilities. It is the kind of mind which can see things as they are, which step by step and in a flash can realize the original nature of everything."

— Shunryu Suzuki

"The only true voyage, the only bath in the Fountain of Youth, would be not to visit strange lands but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees, that each of them is; and this we do, with great artists; with artists like these we do really fly from star to star."

— Marcel Proust
Consciousness Awakening Glass

Consciousness Awakening

Enchantment Glass

Enchantment

"The abstraction is often the most definite form for the intangible thing in myself that I can clarify in paint."

— Georgia O'Keeffe

"We don't see things as they are, we see them as we are."

— Anaïs Nin
Journey of the Soul Glass

Journey of the Soul

Trick of the Light Glass

Trick of the Light

"We are not interested in the unusual, but in the usual seen unusually."

— Beaumont Newhall

"What is real is not the external form, but the essence of things... It is impossible for anyone to express anything essentially real by imitating its exterior surface."

— Constantin Brancusi
Enlightenment Glass

Enlightenment

Re-emergence Glass

Re-emergence

"Abstraction is one of the greatest visionary tools ever invented by human beings to imagine, decipher, and depict the world."

— Jerry Saltz

"It is only with the heart that one can see clearly, for the most essential things are invisible to the eye."

— Antoine de Saint-Exupéry
Returning Glass

Returning

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